Author Archives: embrujamiento/tangoarchive.com

That’s quite a long text below, huh? But… how about a little game first: if I say ”Alberto Echagüe”, what orchestra will you immediately mention? But had I said ”Juan Carlos Lamas” instead, would your reaction have been just as … Continue reading →

EDIT: There has been some discussion about the right recording belonging to the track title below. There are two recordings, one of which is posted below, but they seem registered with different composers. According to Michael Lavocah, the ”Tristezas” mentioned … Continue reading →

In my analysis, Roberto Flores should be regarded as one of the major representatives of a (sadly) lost part of tango dance music. But first, what does that ”lost part” mean? The recordings we now dance to, only give us … Continue reading →

This photo shows Aníbal Troilo not with his own legendary bandoneon, but playing on Argentina’s first completely locally produced bandoneon. Some background info: the bandoneon is a German instrument, originally supposed to be a ”handheld church organ”, but it randomly, … Continue reading →

It’s one of the most painful aspects of tango music history: only a limited part of even the most popular orchestras’ repertoire was actually recorded. These bands played in mass venues or on radio stations in an age of tango … Continue reading →

How about something quite different: the following picture resembles a telegram sent by Miguel Caló from Montevideo, the capital of Uruguay. In 1944, Caló and his ”guys” spent some time touring this neighbouring country (expect more material on this later) … Continue reading →

This is an amicable picture of two ”popular” musicians from the Golden Age of tango: directing orchestras wasn’t just about hard work and facing fierce competition, it seems that many people involved were friends or at least pretended they were, … Continue reading →